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dc.rights.licenseIn Copyrighten_US
dc.creatorTrump, Keith M., III
dc.date.accessioned2014-04-04T15:48:23Z
dc.date.available2014-04-04T15:48:23Z
dc.date.created2014
dc.identifierWLURG38_Trump_MUS_2014
dc.identifier.urihttp://hdl.handle.net/11021/27232
dc.descriptionThesis; [FULL-TEXT FREELY AVAILABLE ONLINE]en_US
dc.descriptionKeith M. Trump III is a member of the Class of 2014 of Washington and Lee University.en_US
dc.description.abstractAn exploration of several musical techniques employed by Charles Ives in his compositional portrayals dedicated to American locations. Chapter 1: ”Remembrance” and The Pond, Chapter 2: Scherzo: Over the Pavements, Chapter 3: The Housatonic at Stockbridge, Chapter 4: “The Alcotts”en_US
dc.description.statementofresponsibilityKeith M. Trump
dc.format.extent80 pagesen_US
dc.language.isoen_USen_US
dc.rightsThis material is made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source.en_US
dc.rights.urihttp://rightsstatements.org/vocab/InC/1.0/en_US
dc.subject.otherWashington and Lee University -- Honors in Musicen_US
dc.titleMethods of Place Portrayal in the Music of Charles E. Ives (thesis)en_US
dc.typeTexten_US
dcterms.isPartOfRG38 - Student Papers
dc.rights.holderTrump, Keith M., III
dc.subject.fastPlace (Philosophy) in musicen_US
dc.subject.fastComposition (Music)en_US
dc.subject.fastIves, Charles, 1874-1954en_US
dc.subject.fastCriticism, interpretation, etc.en_US
dc.subject.fastBeethoven, Ludwig van, 1770-1827en_US
local.departmentMusicen_US
local.scholarshiptypeHonors Thesisen_US


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