dc.rights.license | In Copyright | en_US |
dc.creator | Etling, James C. | |
dc.date.accessioned | 2016-07-22T19:10:19Z | |
dc.date.available | 2016-07-22T19:10:19Z | |
dc.date.created | 2016 | |
dc.identifier | WLURG38_Etling_ENGL_2016 | |
dc.identifier.uri | http://hdl.handle.net/11021/33387 | |
dc.description | James C. (Jim) Etling is a member of the Class of 2016 of Washington and Lee University. | en_US |
dc.description | Capstone; [FULL-TEXT FREELY AVAILABLE ONLINE] | en_US |
dc.description.abstract | Throughout this essay, I will be examining how misogynistic language throughout Asante's adolescence, specifically in rap music and inner city street culture, establishes a tense and destructive stage for gender relations as a whole. [From introductory section] | en_US |
dc.description.statementofresponsibility | James Etling | |
dc.format.extent | 26 pages | en_US |
dc.language.iso | en_US | en_US |
dc.rights | This material is made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source. | en_US |
dc.rights.uri | http://rightsstatements.org/vocab/InC/1.0/ | en_US |
dc.subject.other | Washington and Lee University -- Capstone in English | en_US |
dc.title | Bitches Ain't Shit But Hoes and Tricks: An Examination of Gender in M.K. Asante's Buck | en_US |
dc.type | Text | en_US |
dcterms.isPartOf | RG38 - Student Papers | |
dc.rights.holder | Etling, James C. | |
dc.subject.fast | Buck (Asante, Molefi Kete, 1942-) | en_US |
dc.subject.fast | Autobiography | en_US |
dc.subject.fast | Misogyny | en_US |
dc.subject.fast | Gender identity in music | en_US |
dc.subject.fast | Rap (Music) -- Psychological aspects | en_US |
local.department | English | en_US |
local.scholarshiptype | Capstone | en_US |