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dc.rights.licenseIn Copyrighten_US
dc.creatorEtling, James C.
dc.date.accessioned2016-07-22T19:10:19Z
dc.date.available2016-07-22T19:10:19Z
dc.date.created2016
dc.identifierWLURG38_Etling_ENGL_2016
dc.identifier.urihttp://hdl.handle.net/11021/33387
dc.descriptionJames C. (Jim) Etling is a member of the Class of 2016 of Washington and Lee University.en_US
dc.descriptionCapstone; [FULL-TEXT FREELY AVAILABLE ONLINE]en_US
dc.description.abstractThroughout this essay, I will be examining how misogynistic language throughout Asante's adolescence, specifically in rap music and inner city street culture, establishes a tense and destructive stage for gender relations as a whole. [From introductory section]en_US
dc.description.statementofresponsibilityJames Etling
dc.format.extent26 pagesen_US
dc.language.isoen_USen_US
dc.rightsThis material is made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source.en_US
dc.rights.urihttp://rightsstatements.org/vocab/InC/1.0/en_US
dc.subject.otherWashington and Lee University -- Capstone in Englishen_US
dc.titleBitches Ain't Shit But Hoes and Tricks: An Examination of Gender in M.K. Asante's Bucken_US
dc.typeTexten_US
dcterms.isPartOfRG38 - Student Papers
dc.rights.holderEtling, James C.
dc.subject.fastBuck (Asante, Molefi Kete, 1942-)en_US
dc.subject.fastAutobiographyen_US
dc.subject.fastMisogynyen_US
dc.subject.fastGender identity in musicen_US
dc.subject.fastRap (Music) -- Psychological aspectsen_US
local.departmentEnglishen_US
local.scholarshiptypeCapstoneen_US


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