The decision to write on Anne Bradstreet, Mary Shelley, and Sylvia Plath cannot be abstracted from their gender. In the beginning of my thesis process, I was captivated by the question of how male editors affect the works ...

The body of this thesis explains Plath's most shocking metaphors by arguing that she is not simply a "confessional" poet, as many have labeled her (Britzolakis 3). Instead, she complicates the very idea of confession or ...