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The Embryonic Artist and the Nightmare of History: In Search of a Father-Guide in James Joyce's Ulysses
As readers of Ulysses, our only guide to Stephen's future comes from looking back, searching the novel for clues to Joyce's providential design. When in search of a father-guide for Stephen, one must look to "Scylla and ...
Curious Reversals and Marvelous Wounds: Metamorphosis and Identity in Angela Carter's The Bloody Chamber
Though The Bloody Chamber undeniably supports a feminist reading, ultimately her vision of the wise child encompasses both sexes and provides a meeting ground between them.
Elaine Showalter insists that in '"the purest ...
Reform, Corruption and the Tormented Soul: Chaucer's Vision of the Medieval Church in The Canterbury Tales
The Canterbury Tales can be interpreted in many contexts, but when we reach the unusual end of the collection, the extensive discourse of the Parson and its sharp departure from the entertaining "Tales" before it invite ...
Unity Through Resonance: A Study of the Function of Imagery in Browning's The Ring and the Book
This paper will direct itself to answering the question, How does imagery unify The Ring and the Book? The answer lies in the repeated use of images having the same subject. . . . Anne Stevenson, in another context, ...
The Anxiety of Obsolescence: Pessimistic Depictions of the Artist in the Modern American Novels of Kate Chopin, William Faulkner, and Nathanael West
This study will present the existence of a strand of artistic despair running through modernist American fiction. The consistent failure to positively present the high modem ideal comes about as a result of what I call ...
A Reflection of the Scientific Attitude in English Literature of the Seventeenth and Early Eighteenth Centuries
It is of tremendous and outstanding importance, then, vhen any age finds itself slowly but definitely changing not only its thoughts but its manner of thinking from the preceding ages. Such is the case of the seventeenth ...
"More lively perceptions": Irony and Its Sources in Jane Austen's Novels of Impression and Persuasion
Irony comes from mainly from two sources in Jane Austen's writings: the juxtaposition of an impression or a persuasion with the truth of a situation. This can be seen most clearly in three novels: Lady Susan, which shows ...
The Last Romantics: Lady Gregory and the Poetry of W. B. Yeats
Beginning in 1896, W. B. Yeats spent more than twenty summers at Coole Park with Lady Gregory. There they collaborated on plays, gathered folklore, and he wrote poetry. She was an invaluable aid to him in recovering from ...
"Sex explains it all": Gender in the Literature of Ernest Hemingway and Robert Frost
Gender is merely an attribute, rather than the single determining factor of one's identity, yet Hemingway and Frost both devised their own distinctly masculine personality -- a public image which became progressively more ...