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dc.rights.licenseIn Copyrighten_US
dc.creatorValente, Aidan Patrick
dc.date.accessioned2019-05-29T13:19:15Z
dc.date.available2019-05-29T13:19:15Z
dc.date.created2019
dc.date.issued2019
dc.identifier.urihttp://hdl.handle.net/11021/34435
dc.descriptionThesis; [FULL-TEXT WILL BE AVAILABLE FOLLOWING A 3-YEAR EMBARGO]en_US
dc.descriptionAidan Patrick Valente is a member of the Class of 2019 of Washington and Lee University.en_US
dc.description.abstractThe scholarship that has dealt with Giovanetti tends to focus on his surviving works in the Palace of the Popes, especially the chapels of St. Martial and St. John. These spaces have survived more or less intact, and they have become the exemplars of Giovanetti’s style . . . however, they do not expound upon the Villeneuve chapel at length and therefore have left behind a significant example of his genius. French scholarship, although more thorough in documenting the history of the charterhouse and its evolution over time, have also neglected to analyze the art executed within the chapel even when they mention its unique nature. Finally, late nineteenth-century publications in architectural gazettes provide a thorough analysis of the site’s structural fabric, but they say little regarding its artwork. The entire charterhouse of Val-de-Bénédiction would be well-served by an English monograph, but I will content myself for now by only covering Innocent VI’s chapel. It is my hope that my analysis will provide a better understanding of this overlooked gem of fourteenth-century art and the context in which pope, painter, and monk collaborated in creating and appreciating its messages. [From Introducing the Monastery)en_US
dc.description.statementofresponsibilityAidan Valente
dc.format.extent71 pagesen_US
dc.language.isoen_USen_US
dc.rightsThis material is made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source.en_US
dc.rights.urihttp://rightsstatements.org/vocab/InC/1.0/en_US
dc.subject.otherWashington and Lee University -- Honors in Art Historyen_US
dc.titleVox Clamantis in Deserto: Carthusian Experience in the Papal Chapel at Villeneuve (thesis)en_US
dc.typeTexten_US
dc.rights.holderValente, Aidan Patrick
dc.subject.fastMatteo di Giovanetto, da Viterbo, approximately 1300-1368 or 1369en_US
dc.subject.fastFrance -- Villeneuve-le?s-Avignonen_US
dc.subject.fastMural painting and decorationen_US


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