dc.rights.license | In Copyright | en_US |
dc.creator | French, Amy Siegrist | |
dc.date.accessioned | 2023-10-20T17:39:59Z | |
dc.date.available | 2023-10-20T17:39:59Z | |
dc.date.created | 1995 | |
dc.identifier | WLURG038_French_thesis_1995 | |
dc.identifier.uri | https://dspace.wlu.edu/handle/11021/36317 | |
dc.description.abstract | A popular mythology exists which claims the museum as a
neutral, objective place for viewing art. Contrary to that myth,
however, the museum is, by its very nature, anything but objective.
It tells stories. Museum staff make decisions everyday as to what
those stories will be. They decide what facts to include, what
facts to exclude, just as they decide what paintings to hang and
what paintings to leave in storage. No museum could give a
comprehensive presentation of all its holdings. Choices have to be
made.
The museum also cannot provide a neutral viewing of its
objects. Every choice of what to display, how to display it, and
what to put next to what tells a story about what is important,
what is worthy of presentation, and how it connects to art history.
Faced with this inevitable situation, the late twentieth century
museum staff accepts the fact that it can tell certain stories, but
not all of them. They accept the fact that no hanging or
presentation of art is absolutely objective. The gallery space
itself is not neutral, even its shape and color can influence how
an object is viewed. All of these factors come together to
determine which stories will be told. [From Introduction] | en_US |
dc.format.extent | 117 pages | en_US |
dc.language.iso | en_US | en_US |
dc.rights | This material is made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source. | en_US |
dc.rights.uri | http://rightsstatements.org/vocab/InC/1.0/ | en_US |
dc.title | Understanding Museums: How Design and Hanging Affect the Viewer | en_US |
dc.type | Text | en_US |
dcterms.isPartOf | WLURG038 - Student Papers | en_US |
dc.rights.holder | French, Amy Siegrist | en_US |
dc.subject.fast | Art museums | en_US |