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dc.rights.licenseIn Copyrighten_US
dc.creatorVan Riper, Tyler Hope
dc.date.accessioned2014-05-16T17:47:51Z
dc.date.available2014-05-16T17:47:51Z
dc.date.created2014
dc.date.issued2014
dc.identifier.urihttp://hdl.handle.net/11021/27887
dc.descriptionThesis; [FULL-TEXT FREELY AVAILABLE ONLINE]en_US
dc.descriptionTyler Hope Van Riper is a member of the Class of 2014 of Washington and Lee University.en_US
dc.description.abstractIn the following chapters, I will introduce two of Brian Friel’s most beloved plays, Translations and Dancing at Lughnasa, focusing particularly on the playwright’s use of different “languages” and his emphasis on the dichotomy between tradition and modernity as a means of exploring the playwright’s ambivalence toward his subjects. [From Prologue]en_US
dc.description.statementofresponsibilityTyler Hope Van Riper
dc.format.extent65 pagesen_US
dc.language.isoen_USen_US
dc.rightsThis material is made available for use in research, teaching, and private study, pursuant to U.S. Copyright law. The user assumes full responsibility for any use of the materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used should be fully credited with the source.en_US
dc.rights.urihttp://rightsstatements.org/vocab/InC/1.0/en_US
dc.subject.lcshFriel, Brian. -- Dancing at Lughnasa.en_US
dc.subject.lcshFriel, Brian. -- Translations.en_US
dc.subject.otherWashington and Lee University -- Honors in Englishen_US
dc.title"A Language Without Words": Ireland Reimagined in the Plays of Brian Friel (thesis)en_US
dc.typeTexten_US
dc.rights.holderVan Riper, Tyler Hope
dc.subject.fastEnglish language -- Rhetoricen_US
dc.subject.fastEnglish drama -- Irish authorsen_US
dc.subject.fastFriel, Brian, 1948-en_US
dc.subject.fastIrish languageen_US
dc.subject.fastManners and customsen_US


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